LIGHTS! CAMERA! QUIET ON THE SET! ACTION! Theatre is not just a hobby or an interest - it is an OBSESSION and a way of life!
Showing posts with label old scripts. Show all posts
Showing posts with label old scripts. Show all posts
Tuesday, August 23, 2011
""The Shape of Things" by Neil Labute - A masterfully disturbing script that makes you think
I recently finished reading "The Shape of Things" by Neil Labute and the words and characters have still managed to remain on my brain. Though the vocabulary used within this script is quite simple, the messages portrayed are far from juvenile. This play will mean something different to each person who reads it.
It was first published in 2001 at the Almeida Theatre, London.
It has four main characters: Adam, Evelyn, Jenny & Phillip.
It takes place in various settings around an arts college in a conservative Midwestern town.
This play could be produced in a small black box theatre to create intimacy between the actors and audience members but the scene & set descriptions are very vivid and I could also see this piece produced for film.
It HAS in fact been made into a movie. See the clip here: THE SHAPE OF THINGS 2003
It is a story of how far one can go in the name of art.
The story opens in a museum. There is a tall statue of a nude man in the center of the room wearing nothing but a leaf covering his genitals. A woman (Evelyn) is giving off a vibe that she is about to do something to the statue. A security guard enters (Adam) and he is wearing an old jacket, his hair is slicked back and is described as "bulky". Evelyn, is an artist. She believes that art should make a statement and make people think. These two characters end up falling in love. At least, HE falls in love with her. Both of these characters have very different goals in mind as to the outcome of their relationship.
During their 18-week relationship, Evelyn drops little hints to Adam such as "you shouldn't style it so much. Your hair. Just let it go..." and "it's cosmetic, not corrective...it's no big deal. I promise..." pertaining to him getting a nose job. Throughout these 18 weeks, Evelyn manages to change the way Adam looks, feels, acts and even thinks. He throws out his favourite (but tacky) jacket and thinks it was HIS idea. He goes under the knife and has a small amount of flesh shaved from his nose and THINKS it was his idea. He also starts jogging, toning and losing weight all the while recording everything he does and thinks into a journal which he ALSO thinks is HIS idea.
Without giving the actual ending away, I will close this post with this: "The Shape of Things" forces the reader to make up their own mind about what ART is to them. Is it about making a statement? Making people think? Making people feel? Is it about showing something people don't often get to see? Is ART about opening a window into hidden rooms and forgotten dark closets? This is a script which plays both sides of the "Morality Coin". If one is able to create a piece of ART that will challenge humankind and our ways, just how far is too far? Is is ever okay to cross the line between right and wrong in the name of ART?
Labels:
Adam,
Almeida Theatre,
art,
deception,
Evelyn,
Jenny,
manipulation,
manipulative,
morale,
morality,
neil labute,
old scripts,
Phillip,
right and wrong,
the shape of things
Wednesday, August 17, 2011
Old, Yellowed and Used Scripts - My Second Obsession
I love old scripts! I love the way they smell like "comfort" and "hard work" at the same time. I love how they feel beneath my fingertips like tissue paper that may fall apart if I turn the pages with too much excitement. A used bookstore, which carries used stage scripts, is my comfort place and safe zone. If the selections were any larger and the aisles any longer - I could get lost for hours and take enough books home with me to push me over the edge into bankruptcy. I am obsessed with these hidden, lost and forgotten treasures. What is truly a special treat is when I find a hidden treasure inside one of the scripts like a signature, an old program for a production, an actor's notes or contact information.
Today, on my lunch break from work, I found myself walking towards the local bookstore where I purchase my scripts every time I get my pay cheque. As I enter the store the man behind the register waves to me and gives me a smile. He recognizes me but he doesn't know my name. I b-line it right to the aisle second from the last near the back of the store. First, I stand tall and skim the top shelf. Second, I slowly bend over so that I am completely at a 90 degree angle from the waist AND THEN, by the time I reach the second last shelf, I am on the floor sitting cross-legged...in a dress. I didn't fully realize just how much I adore reading these pieces of art and skimming the shelves until I found myself sitting on the floor in a dress. Oops!
When I finally left and returned to work, I had spent almost $40 and was almost 40 minutes LATE coming back from break. Thankfully, my current projects at work are theatre-related and THUS this trip to my favourite special place was (in fact) all in the name of research and preparation. It's better than my last trip there which cost me $46 ;)
In the past 30 days, the $86 BEFORE TAXES allowed me to bring home the following treasures:
"High Pressure Homer" by Bruce Brandon, 1937
"A Streetcar Named Desire" by Tennessee Williams, 1947
"Moo" by Sally Clark, 1984
'Who's Afraid of Virginia Wolfe" by Edward Albee, 1962
"Goodnight Desdemona (Good Morning Juliet)" by Ann-Marie MacDonald, 1990
"The Diary of Anne Frank" by Goodrich & Hackett, 1956
"The Night of the Iguana" by Tennessee Williams, 1961
"The Importance of Being Ernest" by Oscar Wilde, 1961
"Waiting for Godot" by Samuel Beckett, 1954 (still not sure what I think of this one)
"Bus Stop" by Tennessee Williams, 1954
"Four Great Plays by IBSEN:
A Doll's House, Ghosts, An Enemy of the People & The Wild Duck", 1932
"The Crucible" by Arthur Miller, 1952
"Two Plays by Edward Albee: The American Dream
& the Zoo Story", 1959
"The Country Wife" by William Wycherley, 1973
"The School for Scandal" by Richard Brinsley Sheridan
(1751-1816), 1991
"Rosencrantz and Guildenstern are Dead" by Tom Stoppard, 1967
"A Cat on a Hot Tin Roof" by Tennessee Williams, 1955
"William Golding's Lord of the Flies"
adapted for the stage by Nigel Williams, 1996
"Sight Unseen" by Donald Margulies, 1992
"Beside the Seaside" by Leslie Sands, 1956
"And Things That Go Bump in the Night" by Terrence McNally, 1966
"Deathtrap" by Ira Levin, 1978
AND
"My Fair Lady" - a musical play by Alan Jay Lerner adapted from Bernard Shaw's Pygmalion, 1956
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